Four hours of training — that’s all it takes to tackle the problem of spatial disorientation in pilots and save their lives.
That’s according to Dr. Braden McGrath, a research professor in Embry-Riddle Aeronautical University‘s Department of Human Factors and Behavioral Neurobiology.
Spatial disorientation occurs when what pilots feel clashes with reality — when they believe they’re flying upward but their plane is actually headed toward the ground, for example. Blinking lights, heads-up displays, and a variety of other safety controls are already available in the flight deck to counteract this occurrence, but those features are all visual, said McGrath, who conducted his doctoral thesis on this topic and believes that the complete solution lies in also using another of our five senses: Touch.
“Tactile cueing keeps pilots aware,” he said. “It gives them the right information at the right time and in the right modality. It keeps them in the loop.”
Many pilots who find their vision obstructed or attention distracted are not in the loop, however, and they might not even realize it. That’s where the Tactile Situation Awareness System (TSAS) comes in — a haptics band invented by Dr. Angus Rupert of the U.S. Army Aeromedical Research Laboratory that vibrates at different locations and intensities along a pilot’s torso, alerting him or her to irregularities in an aircraft’s orientation.
If a plane is rolling slightly left, for instance, the band will lightly rumble on the pilot’s left side, and it will continue to do so until the roll is corrected.
The vibration takes visuals and even intellectual processing out of the equation, according to the researcher.
Tactile processing takes place at a more reflexive, “midbrain level,” according to Rupert said. “The goal is to align the information in the cockpit with the way we take in information on Earth.”
TSAS also works to address a problem that can affect any aviator at any experience level.
“The Air Force has never lost less than five pilots per year due to spatial disorientation,” he said. “They lost more than 150 aircraft and 150 pilots from the 1980s to the early 2000s.”
But TSAS, a fireproof garment with miniature tactile actuators sewn inside of it, can change all that. And graduate students at Embry-Riddle are working to make sure it does.
Flying Blind
Before pilots can use the haptic band in the air, they need training — from grad students Tyson Richards and Qianhong “Echo” Liu.
“I’m not an aviator, so I didn’t realize how big of an issue spatial disorientation was until I got involved in this research,” Richards said. “When you’re disoriented in an aircraft, it can take up to 30 seconds for you to get reoriented. That’s a huge amount of time.”
Risks are eliminated in virtual worlds, however, and so before test subjects are ever equipped with tactile bands on the flight line, they go to the Aerospace Physiology Lab, strap on a 3-D headset and tactile band, and learn to read the rumbles they feel pulsing up and down their sides every time the yoke on their simulator leans off-center.
Once pilots acclimate and can reorient using just signals from the tactile band’s actuators, even with their eyes closed and after simulating mid-flight barrel rolls, they’re ready for the real world.
With an unobstructed pilot safely controlling the aircraft from the left seat, Richards and Liu set up their test subjects in the right seat and outfit them with a tactile band. The goal is for the pilot to use the band’s tactile cues to prove that they understand where the horizon line is — even though most of tests are conducted at night, and in one of the five test scenarios, they wear either a blindfold or a pair of tinted goggles, simulating poor visual environments where spatial disorientation is most common.
Afterward, Richards and Liu conduct post-flight interviews to compare the pilot’s perceptions to what they actually experienced.
“It just feels great to help improve aviation safety,” said Liu, who intends to continue on in this field after graduation.
Richards, who serves as an active-duty member of the U.S. Coast Guard, agreed.
“In the classroom, you just kind of hear about some of these things, but being able to see it in practical application — and actually do something about solving it — is different,” he said. “Every single time we do these trials, there is always something unscripted. It’s always a challenge and you have to solve problems and come up with solutions to make it work.”
That’s what makes the process rewarding. That’s why it’s exciting.
A ‘Clear and Obvious’ Solution
Nearly 30 years ago, when Rupert began his work on spatial disorientation by building a prototype outfitted with 69-cent toy speakers as his tactile cues, he says that the industry resisted even acknowledging that the phenomenon of spatial disorientation existed at all.
“Back then, people looked on spatial disorientation as a weakness of the pilot,” he said, adding that some saw the additional safety feature as a “crutch” to good pilots.
Then, when autopilots became standardized in modern aircraft, safety improved — but pilots still became disoriented, and crashes still occurred.
“We knew we had the solution to the problem at that point and have fought ever since to bring it into the public,” Rupert said.
Dr. Jon French, Human Factors professor, is one of the many to join in on that fight, and he’s brought arguably the most important resource to the research: Students.
“This project is at the nexus of three specialties, which are quite rare at any university — hardcore mathematics, human factors, and aviation,” McGrath said. “The fourth piece of the puzzle is the students. Students bring the energy and new ideas.”
Additionally, when it comes to any project — especially one that has had involvement from every military branch as well as NASA, where Rupert used to work — affordable brainpower is key, and that’s something students bring in bunches. Students endlessly explore and learn and test and develop, McGrath said. They contribute, and they earn course credit. It’s a win-win.
Throw enough brainpower at a problem, Rupert said, involve enough people, and eventually something is bound to “click.”
“That involvement may be the key that transitions it all — that moves this project from research to real-world application,” Rupert said. “You never know who that key person is going to be.”
I think the idea of using non-visual sensory cues is a very good one. The chest/torso band seems a bit kludgey though. How about a haptics-enabled seat pad for true seat of the pants flying? Or perhaps a buzz or other readily discernible tone pumped into the speakers of stereo (e.g., Bose A20) headsets? Current audio technology is already used to create 3-D differentiation of the direction of different audio sources.
It is right Better train
Is this an expensive solution looking for a problem?
Best fixed by better training.